TVO (public television in Ontario) recently aired a lecture by Oliver Sacks, a neurologist and an author discussing his latest book Musicophilia. I’ve always been interested in the understanding music on a neurological basis. Music seems so universal that I often wonder what is happening on a neurological basis to make it such? I’ve jotted down a few key points from the lecture. The lecture audio can be found here.
Points:
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Upon visual inspection of a brain, one can tell which individuals were musicians and which weren’t. This isn’t the case for say a mathematician.
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Even with diseases of the cerebral cortex (Parkinson’s, Alzheimer’s, etc) musical ability is often retained.
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10% of musicians and 20% of born blind musicians have absolute (perfect) pitch. Absolute pitch is the ability to recognize a note as say a G-sharp upon hearing.
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It is theorized that in born blind musicians the visual cortex is reallocated to music and tonal perception.
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Absolute pitch appears to be universal in the early years of life and is pruned away during later years.
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Some people can suffer from musical hallucinations which are loud enough to drown out their ability to hear actual conversations.